Number Nine Spring Summer 2009 collection titled “The Lonesome Heroes," echoes the vast, desolate landscapes of Texas and Montana. Whether thematically or contextually, different American states served as frontiers of influence for Miyashita, shaping much of his creative direction during this time.
The Lonesome Heroes marked the beginning of the end for Number Nine. Miyashita’s shows, once chaotic and electric, began to take on a more introspective, melancholic tone. A quiet sadness permeated the runway, mirroring his own emotional unrest. As he reflected, “I spent a lot of time expressing my emotions within the shows. Well, it was only a semi-annual live performance.”
This collection drew heavily from the “Rock ’n’ Roll Dandy”, Brian Jones. The flamboyant guitarist of the Rolling Stones. Models walked the runway in blonde wigs that mimicked Jones’ signature look, dressed in garments inspired by baroque and Victorian styles. Jones was known for his eclectic, androgynous wardrobe choices. Donning Victorian lace shirts, Edwardian velvet frock coats, and ornate accessories that blurred the lines between time periods and gender norms. His influence on 1960s fashion is undeniable, and Miyashita translated this into the backbone of a richly textured, historically informed vision of rock-inspired style.
Musical influence runs deep in every season. Miyashita described the collection as “White Album vibe”. An expansive, layered, body of work filled with nuance. His following and final collection, Autumn/Winter 2009’s A Closed Feeling, would become his Abbey Road. A graceful exit.
This extremely beautiful suede vest features embroidered buttons, intricate brocade, metallic hardware held together by leather stitching.
Measurements:
Length: 53cm
Shoulder: 34cm
PTP: 45cm
Hem: 40cm
Arm opening: 25cm
