Soundtracked by Lou Reed’s 1972 song of the same name, Jun Takahashi paints his version of an ideal day with botanical crowns, insect bags, and what appears to be the most comfortable and cozy relaxwear apt for the upcoming fall/winter season.

Following his forte of world-building, Takahashi crafted an atmospheric fairytale steeped in art-historical references and countercultural energy. This is especially vivid in his use of Matthieu Bourel’s collages, surreal bags, and the juxtaposition of different material weights and textures.

Self-described as “Data-ism,” Bourel’s photomontage collages of women appeared on the collection’s relaxwear, bringing a quiet eeriness that complemented both the show’s 18th-century art references and the diverse casting of women across different age groups.

Takahashi also revisited one of his signature tropes: pairing contrasting materials to create unexpected juxtapositions. Puffy prom dresses were combined with Perfecto-style leather jackets, and ball gowns were layered over long-sleeved dresses.

This season also gave rise to a myriad of highly sought-after Undercover bags. Items associated with a “happy day” — violins, bugs, boomboxes, sandcastles — were converted into wearable bags.

This bee bag (which doubles as a clutch) was offered only to a small, select group of people in the world. It features an adjustable strap and Patti Smith’s lyrics from her 1978 song Babelogue printed on the thorax of the bee.