{"title":"Staff Picks","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOur staff picks bring together favorite finds from the runway and the archive. These are the pieces we are most drawn to, whether for their history, design, or the way they capture a moment in fashion. Think of it as a window into what inspires us behind the scenes.\u003c\/p\u003e","products":[{"product_id":"undercover-zamiang-quilted-hooded-blazer","title":"Undercover ZAMIANG Quilted Hooded Blazer","description":"\u003cp class=\"p1\"\u003eOn December 10, 2005, Jun Takahashi's ZAMIANG opened its doors to the public in Aoyama, Tokyo. ZAMIANG occupied a floor by itself in Undercover's Aoyama Flagship, serving as a breeding ground for collaboration and artistic expression that couldn't be fully realized in ready-to-wear garments.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eZAMIANG integrated numerous mediums of art, serving as an ever-growing and evolving creative space where the wildest ideas materialized. The first exhibition featured the art band unit \"Changes,\" composed of Skate Thing and designers from PAM and TONAITE. In Jun's own words: \"Actually, they were the first members I approached as members of the unit team.\" The worldview of \"Changes\" embodies a blend of chaos and cosmos, with works that challenge the boundaries between art and fashion, embracing improvisation and Krautrock influences.\" This resonated closely with the image of ZAMIANG.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOther notable collaborations at ZAMIANG included Nobuhiko Kitamura (Hysteric Glamour) and Takahiro Miyashita (The Soloist, Number Nine).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis blazer was part of the very first capsule launched, and only a handful of pieces exist.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMeasurements:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTagged size M\u003cbr\u003eChest: 51cm\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLength: 57cm\u003cbr\u003e\u003c\/span\u003eShoulders: 41cm\u003cbr\u003eSleeve Length:\u003cbr\u003eHem: 48cm\u003cbr\u003e\u003cbr\u003eAll Sales Final! No Returns!\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":47835202126100,"sku":"","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/photo_2024-03-0602.12.15.jpg?v=1709662455"},{"product_id":"comme-des-garcons-x-undercover-we-are-all-prostitutes-long-sleeve-shirt","title":"Comme Des Garcons x Undercover “WE ARE ALL PROSTITUTES” Long Sleeve Shirt","description":"\u003cp\u003eThis extremely rare Undercover for Comme Des Garcons shirt is plastered with a provocative song title. Which got people around the world questioning if it’s an opportunity to giggle at the world “Prostitutes” \u003c\/p\u003e\n\u003cp\u003eMeasurements:\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged size 3, fits a L-XL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChest: 53 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength: 73 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eShoulders: 45 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSleeve Length: 62 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHem: 54 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll sales final! No returns!\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":47929980944660,"sku":"","price":600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/IMG-9004.jpg?v=1710737413"},{"product_id":"doublet-polaroid-film-coach-jacket","title":"SS21 Doublet Polaroid Film Coach Jacket","description":"\u003cp\u003eFor SS21, Masuyuki Ino created a collection dedicated to the pursuit of happiness. Titled “Strangest Comforts”. Doublet gracefully injected interactive and esoteric elements such as trompe-l'œil, ribbons, inverted panels, velcro panels, and polaroid photos (just to name a few) into his clothing. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis coach jacket features a collage of sewn in polaroid films, which reveals a surprise when you snap a photo with flash.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSurprise!\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eChest : 55cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eShoulder: 55cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSleeve: 79cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength: 83cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHem: 56cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":48573322101012,"sku":"","price":540.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/83C06EB5-8508-455D-949F-F90037135A27.jpg?v=1715149405"},{"product_id":"ss01-undercover-interlocking-panels-green-utility-bandolier-belt","title":"SS01 Undercover Interlocking Panels Green Utility Bandolier Belt","description":"\u003cp\u003e\u003cspan\u003eUndercover’s Spring\/Summer 2001 collection sees a dynamic three-way collaboration between Undercover, Kaws, and WTAPS. The result was a vibrant collection filled with bright, fluorescent garments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModels donned clothing that appeared multilayered but was actually a single garment, utilizing trompe-l’œil to recreate three-dimensional space on a flat surface. Printed collars, belt loops, and pockets created an illusion of depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStaying true to his love for utilitarian and punk-sque garments, we get the very first iteration of the 6 pouch utility belt. Which quickly gained a cult following and reappeared in collaborations with brands like Full-BK and Supreme.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWe also witness a return of the politically charged slogan “Generation Fuck You” on this bandolier. A statement that reflects the youth’s frustration with an increasingly competitive decade and limited economic opportunities.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":49187032269076,"sku":"","price":360.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/FullSizeRender_b13d4bb5-1a71-4312-bd9b-369b7f51204d.jpg?v=1720586198"},{"product_id":"aw17-y-s-pink-by-takeshi-kosada-russian-floral-skirt","title":"SAMPLE AW17 Y’s Pink by Takeshi Kosada Russian Floral Skirt","description":"\u003cp\u003e2014 marked the inception of Y’s Pink, a new sub-label under the Yohji Yamamoto umbrella. Helmed by Takeshi Kosaka, Y’s Pink is known for its innovative garments often described as “a selection of stand-alone items with a strong design profile.” The label frequently features botanical motifs while staying true to the design codes of Y’s.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn his Autumn\/Winter 2017 collection, Takeshi Kosaka explored the juxtaposition of patterns against extreme minimalism. Floral patterns were prominent throughout the collection, with motifs inspired by traditional Russian designs. By adding panels of floral tapestries to solid colors, Kosaka created depth and contrast in his minimalistic pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis sample skirt features the distinctive Russian floral motifs, running from the waistline to the hem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWaist: 36cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHip: 46cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInseam\/Length: 94cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeg Opening: 130cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":49390749548820,"sku":"","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/B4C985BA-599F-4DC1-A5E0-42597EDA4FBA.jpg?v=1724215587"},{"product_id":"ss03-junya-watanabe-man-pink-x-lewis-leathers-aviakit-waxed-denim-studded-jewel-biker-vest","title":"SS03 Junya Watanabe Man Pink x Lewis Leathers AVIAKIT Waxed Denim Studded Jewel Biker Vest ","description":"\u003cp\u003eConceived in 2002 under the vision of Junya Watanabe and Tao Kurihara, Junya Watanabe Man Pink was an experiment in contrast—a quiet rebellion where rigid menswear structures were softened, reshaped, and reimagined for women. With the tagline “menswear items for women,” the line twisted traditional tailoring and staple silhouettes with an unexpected delicacy. Masculine archetypes were subverted and softened by intricate prints and subtle details.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs the seasons passed, Junya Watanabe Man Pink carved out a devoted following, attracting those who appreciated its balance of structure and softness. By late 2013, whispers of its discontinuation further solidified its status as a fleeting but influential chapter—one where fashion’s boundaries were gently unstitched and reworked for women.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2003, embellishment took center stage. Jewels and studs rained down onto waxed denim, biker jackets, pointed-toe mules, and engineer boots. What was once raw and utilitarian now shimmered, refracting light like artifacts. The collection lived in duality—grit and glamour, rebellion encrusted in gems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrue to its menswear counterpart, Junya Watanabe Man Pink also served as a platform for collaborations, bridging the gap between womenswear and Watanabe’s ongoing partnerships with a myriad of menswear labels. Dismantling the idea of fashion’s binary and offering yet another gateway into Watanabe’s world of constant innovation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo this day, Junya Watanabe Man Pink remains one of the most elusive and sought-after chapters in Junya Watanabe’s tenure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis waxed denim vest, created in collaboration with Lewis Leathers’ Aviakit, features a jewel-embellished hem—a seamless fusion of utility and ornamentation. Originally established in the 1930s as a purveyor of aviation gear, Lewis Leathers’ Aviakit label found new life in the mid-1950s, becoming synonymous with the rebellious spirit of motorcycle culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size S\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLength: 60cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShoulder: 34cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePTP: 44cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":50175687950612,"sku":null,"price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/6FA37D1F-3608-49E8-B1A7-CCB6FE2EED5D.jpg?v=1740739278"},{"product_id":"aw16-comme-des-garcons-homme-plus-armor-of-peace-plate-armor-pants","title":"AW16 Comme Des Garcons Homme Plus “Armor Of Peace” Plate Armor Pants","description":"\u003cp\u003e\u003cspan\u003eComme des Garçons Homme Plus Autumn\/Winter 2016 show, aptly titled Armor of Peace, was a quiet yet potent confrontation with the dualities of our time. Nearly a decade later, its relevance endures. This time, her designs spoke to the tension between protection and vulnerability, war and peace, strength and fragility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArmor, by nature, is a construct of war—meant to endure. But in Kawakubo’s hands, armor was reimagined through the lens of peace. Jackets, trousers, accessories, and footwear were cut and reassembled like panels of Renaissance plate armor, resembling the segmented shells of armadillos, folding around the body like a second skin.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShe drew inspiration from historical armor pieces, such as the \u003c\/span\u003e\u003cspan\u003ecuisse\u003c\/span\u003e\u003cspan\u003e, designed to shield the thighs and transforming it from a symbol of battle into an emblem of modern resilience. Historically, armor was not merely utilitarian; it was also a sculpted symbol of seduction and power.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKawakubo stitched this history into her collection, using silk brocade and wool to craft her modern armor, suggesting an undress that was as much about allure as it was about defense. This sentiment extended to this pair of pants, featuring layered armor-like details at the knees, held together by adjustable straps reminiscent of the cuisse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe technical execution was as thoughtful as the concept. Kawakubo’s soldiers walked the runway crowned with flowers, a gesture of pacifism blooming through the cracks of war. Juxtaposing conflicts and tranquility, the inclusion of flowers serves as a poignant reminder that beneath the reinforced exterior lies a deep yearning for peace.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eToday’s warriors, draped in tailored suits instead of chainmail, clash not with swords but with words, their battlefields the glass and steel of modern cities. Kawakubo took this everyday armor and twisted it, turning traditional forms inside out to champion for peace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size S\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLength: 108cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWaist: 41cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRise: 30cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThighs: 23cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKnee: 19cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOpening: 17cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":50199471685908,"sku":null,"price":490.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/230CEDD4-E39B-4517-BCB4-ED6A8484E5C6.jpg?v=1741281883"},{"product_id":"aw11-juun-j-detachable-layered-double-rider-leather-jacket","title":"AW11 Juun.J Detachable Layered Double Rider Leather Jacket","description":"\u003cp\u003eEmerging from the ever-shifting landscape of South Korean fashion, Juun J has carved a path where precise tailoring collides with the raw, unfiltered energy of the streets. At the heart of this movement stands Jung Wook-jun. He sharpened his craft at Esmod (École Supérieure des Arts et Techniques de la Mode) Seoul and spent years navigating Korea’s fashion industry before launching his own brand, Lone Costume, in 1999. But his ambitions stretched far beyond local acclaim.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2007, he unveiled Juun J at Paris Fashion Week, marking his arrival on the global stage with a radical vision of menswear. His mission was clear: to dismantle tradition and rebuild it in his own language. He coined his approach “Street Tailoring,” a practice of stretching proportions, distorting silhouettes, and weaving structure with fluidity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJung’s work exists in a state of tension. A push and pull between control and motion. He takes the building blocks of classic menswear—military coats, razor-sharp suiting, and opulent fabrics—and bends them into something entirely his own. Oversized shapes, cascading layers, and stark monochromes shape a collection that feels both futuristic and deeply reverent of craftsmanship. Before the world embraced oversized silhouettes, Juun J was already sculpting its foundation. A quiet yet undeniable force behind the rise of “street-luxe,” a movement later embraced by industry giants we know and love today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis Autumn\/Winter 2011 collection was both an exercise in quiet subversion and a meditation on structure. Jung dismantled the rigid codes of traditional suiting, layering each fragment back together in a way that felt both deliberate and instinctual. In lesser hands, such an approach might have felt aimless. But Jung turned deconstruction into wearable poetry. His models, cloaked in voluminous layers, carried the presence of statues caught mid-motion. Imposing yet effortless. Pavilion berets crowned their looks, a whisper of old-world romance in a collection that felt at once contemporary and timeless.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe result was a vision that fused the intellectual charm of Sherlock Holmes with the unwavering discipline of a samurai. Sharp, enigmatic, and unapologetically bold. But this was more than clothing. It was a redefinition of masculinity. A uniform for a new kind of modern world. Or in Jung’s own words: “This man likes wearing jackets. These men like wearing jackets. And so I variated on this. I love layers, and so I add and transform and confuse.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTake this leather jacket, for example. Crafted from thick, buttery leather, it embodies Jung’s ability to fuse tradition with transformation. Its detachable design allows it to shift between a biker jacket, a sleeveless vest, and a bolero. Reshaping itself like an extension of the wearer. It doesn’t just sit on the body. It moves, adapts, and defies expectation. Much like Jung himself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLength: 67cm\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShoulders: 47cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePTP: 51cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSleeve: 68cm\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHem: 44cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":50220409848084,"sku":null,"price":825.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/6AA9A3D3-2407-4FD4-BFAB-5555607E1240.jpg?v=1741777591"},{"product_id":"ss22-maison-margiela-co-ed-yellow-recycled-rubber-tabi-boots","title":"SS22 Maison Margiela Co-Ed Yellow Recycled Rubber Tabi Boots","description":"\u003cp\u003e\u003cspan\u003eFor Maison Margiela’s Spring\/Summer 2022 Ready-to-Wear collection, John Galliano continues his vision of the “new utopian youth,” a group of shipwreck survivors first introduced in his 2021 Artisanal presentation. Both collections explore themes of post-pandemic youth, environmental awareness, optimism for future, and the fluid relationship between nature, time, and identity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHallmarks from his last Haute Couture were translated into a ready-to-wear lineup filled with romantic-utilitarian textures, reimagined silhouettes, and references to traditional fishermen’s attire. The collection balances theatrical storytelling with material experimentation, offering garments that are both technical and poetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeparting from conventional runway formats, the collection debuted in a 14-minute narrative film directed by Olivier Dahan, the Oscar-winning filmmaker who also directed Margiela’s previous season’s 70 minutes film. This short cinematic piece further grounds the collection in myth-making and melancholia, set against an apocalyptic backdrop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the film, models donned fishing inspired garments. Jackets constructed from tea-towels bandanas, sailor collars, and coats adorned with feathered fishing lures, and braided gray herringbone strips resembling a net. Reinterpretations of historical dress were also present, including high-waisted Dutch-boy trousers, cotton sou’westers, and wide-brimmed 17th-century Flemish hats.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmidst the highly intricate, sea-weathered looks, Galliano introduced a series of 3D-printed, biodegradable molded rubber Tabi footwear in bright red, yellow, and blue. The Tabi shoes were released in three iterations: Heels, Oxfords, and Waders. These yellow tabi boots features a pressure pin closure and a 3-inch heel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size 36\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":50870736191764,"sku":null,"price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/EB8A581D-8580-4FA5-AFC5-FAB16B069B0A.png?v=1748879802"},{"product_id":"aw16-undercover-perfect-day-friends-family-bee-bag","title":"AW16 Undercover “Perfect Day” Friends \u0026 Family Bee Bag","description":"\u003cp\u003e\u003cspan\u003eSoundtracked by Lou Reed’s 1972 song of the same name, Jun Takahashi paints his version of an ideal day with botanical crowns, insect bags, and what appears to be the most comfortable and cozy relaxwear apt for the upcoming fall\/winter season.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing his forte of world-building, Takahashi crafted an atmospheric fairytale steeped in art-historical references and countercultural energy. This is especially vivid in his use of Matthieu Bourel’s collages, surreal bags, and the juxtaposition of different material weights and textures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSelf-described as “Data-ism,” Bourel’s photomontage collages of women appeared on the collection’s relaxwear, bringing a quiet eeriness that complemented both the show’s 18th-century art references and the diverse casting of women across different age groups.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTakahashi also revisited one of his signature tropes: pairing contrasting materials to create unexpected juxtapositions. Puffy prom dresses were combined with Perfecto-style leather jackets, and ball gowns were layered over long-sleeved dresses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis season also gave rise to a myriad of highly sought-after Undercover bags. Items associated with a “happy day” — violins, bugs, boomboxes, sandcastles — were converted into wearable bags.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis bee bag (which doubles as a clutch) was offered only to a small, select group of people in the world. It features an adjustable strap and Patti Smith’s lyrics from her 1978 song Babelogue printed on the thorax of the bee.\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":50954750034196,"sku":null,"price":4100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/FAACB9D1-10CD-43B4-AED4-EDE8C363E86E.jpg?v=1749648843"},{"product_id":"90s-jean-paul-gaultier-sample-floral-lace-cross-necklace","title":"90s Jean Paul Gaultier SAMPLE Floral Lace Cross Necklace","description":"\u003cp\u003eJean Paul Gaultier’s 1990s marked a decade of transformation. Already a rising star in the 1980s, he broke into popular culture with Madonna’s Blond Ambition tour in 1990, creating the corseted cone bra that became a defining image of the era. This highly theatrical piece propelled Gaultier far beyond the runway, establishing him as a designer capable of bridging pop, couture, and subculture.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis work in the decade was marked by an embrace of contradiction. He found beauty in the everyday and reworked it into avant garde forms, treating denim, leather, and utilitarian fabrics with the same seriousness as couture. Alongside his use of religious imagery and gender experimentation, Gaultier tapped into club culture, rave aesthetics, and global youth style. The result was a language of dress that blurred high and low.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcross his 1990s collections, Gaultier consistently challenged what fashion could look like. Men appeared in skirts, women in sharply cut tailoring, and both in silhouettes that borrowed from armor, lingerie, and sportswear. Tattoo motifs, mesh layering, exaggerated shoulders, and historical references became recurring signatures, always reimagined with humor and theatricality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBeyond the runway, he expanded his influence into film and fragrance. In 1997 he designed the costumes for Luc Besson’s The Fifth Element, producing over a thousand futuristic looks that defined the movie’s visual identity. That same year he launched his haute couture line, Gaultier Paris. His fragrances Classique (1993) and Le Male (1995) became global bestsellers, their corset and torso bottles as iconic as the garments themselves. These projects secured his place as both a cultural force and a commercial success.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmid this explosion of creativity, his jewelry reflected many of the same ideas found in his garments. Crosses, Virgin Mary medals, and rosary inspired necklaces appeared in the mid 1990s, drawing on Catholic iconography and reframing it as fashion. This lace rosary cross necklace was a sample from the 90s and did not make it into production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClasped 17cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnclasped 39cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51244044026132,"sku":null,"price":515.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/IMG-8489.jpg?v=1756906384"},{"product_id":"aw20-john-alexander-skelton-tea-dyed-plaid-jacket","title":"AW20 John Alexander Skelton Tea Dyed Plaid Jacket","description":"\u003cp\u003e\u003cspan\u003eJohn Alexander Skelton is a British designer celebrated for his deeply researched, craft-driven approach to menswear. Trained in London at LCF and CSM and supported early on by the Sarabande Foundation, his label emerged as a quiet rebellion against the speed of modern fashion and the excessive consumption of trend-driven garments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach numbered collection unfolds like a story rooted in British history, working-class life, and local character, conveyed through immersive, human-centred narratives. His silhouettes draw freely from 19th-century tailoring, folk dress, and utilitarian workwear, resulting in clothing that feels grounded, lived-in, and purposeful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt the heart of his practice is an unwavering commitment to craft. Skelton develops fabrics with mills and artisans across the UK, often working with handwoven cloth, rare-breed wool, repurposed vintage textiles, and natural dyes. While embracing the slower rhythm of fashion, his pieces are made in limited runs and hand-finished in his studio.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Autumn Winter 2020 collection JAS drew extensively from Dylan Thomas’s Under Milk Wood and the everyday poetry of ordinary characters. Pieces were revealed as if waking from sleep under white sheets, with lighting and pacing that transformed the presentation into a narrative experience rather than a conventional seasonal show.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSilhouettes referenced 19th-century tailoring and workwear, while garments were executed in multiple shades of grey, sometimes knitting or weaving up to eleven tones into a single piece, and finished with hand felting, washing, and tumbling to achieve a textured, weathered intimacy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful tea-dyed jacket from look 6 is crafted from extremely fine plaided wool.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMeasurements:\u003cbr\u003e\u003cspan\u003eshoulder: 49cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003elength: 76cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eptp: 53cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003esleeve: 66cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ehem: 56cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51557684314388,"sku":null,"price":1100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/BF058675-42E6-4209-9C8A-8DE4AE32D3DA.jpg?v=1762180616"},{"product_id":"aw02-comme-des-garcons-homme-plus-four-blacks-red-reversible-distressed-wool-jacket","title":"AW02 Comme Des Garcons Homme Plus “Four Blacks” Red Reversible Distressed Wool Jacket","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eComme des Garçons Homme Plus Autumn Winter 2002 is remembered for its thematic structure titled “Four Blacks.” Rei Kawakubo divided the presentation into four conceptual groups: Travel, Red and Black, Formal, and Music (旅・赤と黒・フォーマル・音楽).\u003c\/p\u003e\n\u003cp\u003eEach theme used black as a unifying base while exploring different emotional tones, silhouettes, and cultural references. This framework allowed Kawakubo to treat black not as a single color but as a spectrum of moods and functions.\u003c\/p\u003e\n\u003cp\u003eAlthough documentation is scarce, the “Travel” section leaned into utilitarian shapes and adaptable layering. Garments were built to feel mobile and lived in, as if designed for movement across borders. The focus was on how black can appear practical rather than severe.\u003c\/p\u003e\n\u003cp\u003eIn contrast, the “Red and Black” segment pushed chromatic tension further. Red acted almost like a disruption, appearing beneath or beside black in subtle, controlled ways.\u003c\/p\u003e\n\u003cp\u003e“Formal” brought black back to tradition. Tailoring was sharp but not rigid, aligned with Kawakubo’s approach to menswear that respects convention while quietly bending it. The pieces examined how black functions in ceremony, authority, and elegance.\u003c\/p\u003e\n\u003cp\u003eThe final theme, “Music,” explored rhythm and performance. Black became expressive rather than subdued. The garments borrowed from the spirit of stagewear, referencing musicians’ uniforms and the energy surrounding live performance.\u003c\/p\u003e\n\u003cp\u003eThrough these four interpretations, AW02 demonstrated how a single color can create an entire world when filtered through different ideas. “Four Blacks” remains one of Kawakubo’s clearest studies on the emotional and conceptual range of monochrome dressing.\u003c\/p\u003e\n\u003cp\u003eThis reversible jacket features a front with distressed red wool peering through the black weave, and a shiny black cupro reverse side paired with a distressed red wool collar for a more restrained look.\u003c\/p\u003e\n\u003cp\u003eExplore Singapore’s leading archive store for runway and designer collections, only at Upstairs Garments.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size S\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMeasurements: \u003cbr\u003e\u003cspan\u003eShoulders 46cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength 76cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eChest 47cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHem 47cm\u003cbr\u003e\u003c\/span\u003eSleeve length 65cm\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51767140581652,"sku":null,"price":420.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/05855618-8224-4C12-8E24-31571B715ABA.jpg?v=1765301043"},{"product_id":"aw18-comme-des-garcons-homme-plus-white-shock-comic-strip-balloon-pants","title":"AW18 Comme Des Garcons Homme Plus “White Shock” Comic Strip Balloon Pants","description":"\u003cp\u003eDinosaurs walked the runway at Comme des Garçons Homme Plus Autumn Winter 2018, immediately disrupting expectations of Paris menswear. The collection leaned heavily into childhood imagery, using play and nostalgia to challenge ideas of masculinity and coming of age. Rei Kawakubo turned innocence into disruption, suggesting that rebellion does not always appear aggressive.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTitled “White Shock,” the show allowed grown adults to wear their superman pajamas in public. Models moved with hesitation and unpredictability, breaking the polished rhythm typically associated with menswear presentations. Oversized dinosaur headpieces were paired with deconstructed garments printed with comic strips, asphalt textures, and car playmat motifs. These references to childhood spaces and games questioned why seriousness is so often imposed on adulthood.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThen, white slowly dominated the entire collection. Tailoring adopted the same asymmetry, padded volumes, and irregular construction. Jackets appeared architectural, almost brick-like in texture, while shirts and trousers twisted away from conventional silhouettes. Variations of white created tension, proving that restraint can be just as confrontational when executed with intent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeen in look 1, this radical balloon pants features an all over comic strip print.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003eTagged Size S\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMeasurements:\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWaist 39cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLeg Opening 25cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFront rise 28cm\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eInseam 54cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThighs 33cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51798266478868,"sku":null,"price":290.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/E5C38CA3-AD3A-4743-B01F-80A31472E982.webp?v=1766406804"},{"product_id":"ss06-number-nine-welcome-to-the-shadow-sequin-pinstripe-jacket","title":"SS06 Number Nine \"Welcome To The Shadow\" Sequin Pinstripe Jacket","description":"\u003cp\u003e\u003cspan\u003eNumber (N)ine’s Spring Summer 2006 collection sees Takahiro Miyashita openly referencing Axl Rose’s stage wardrobe and Guns N’ Roses’ broader visual identity as a central creative touchstone. Drawing heavily from late eighties and early nineties hard rock imagery, the collection moves beyond surface level styling. Rather than treating rock as an aesthetic alone, Miyashita approached it as a lived condition, exploring themes of excess, vulnerability, rebellion, and isolation that exist behind the spotlight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe garments borrow from Rose’s personal style. From bandanas and leather to aggressive logos and rebellious motifs. The show cycled through a predominantly dark and washed palette, with blacks, greys, and faded whites, punctuated by occasional pops of red.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSharp tailoring, slouched silhouettes, slim trousers, and worn leather dominated the runway. American flags, rosaries, roses, patchwork, sequins, and skull motifs, all closely associated with Axl Rose, added an additional layer of authenticity. The result felt neither costume nor nostalgia, but a recontextualization of rock attire as contemporary menswear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis tailored jacket from Look 6 features shiny pinstripes and a sequined skull and rose motif on the back. Perfectly Guns N' Roses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eShoulders 41cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength 79cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSleeve Length 67cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eChest 49cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHem 53cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51807339381012,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/2D31A946-6E6A-4F9C-837C-21751A3A3390.jpg?v=1766582595"},{"product_id":"aw09-maison-martin-margiela-flocked-white-paint-denim","title":"AW09 Maison Martin Margiela Flocked White Paint Denim","description":"\u003cp\u003eMargiela’s first collection without Martin. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Autumn Winter 2009 Maison Martin Margiela menswear show stands as a defining example of the house’s studio-led era, presented after Martin Margiela had withdrawn from active involvement and ahead of his formal departure announcement in October 2009. Authored by the anonymous in-house design team, the collection adhered strictly to the systems and conceptual rigor Margiela had embedded into the brand over two decades.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe show was presented in a police lineup format, with models holding name placards and positioned against height-measurement walls, rotating between frontal and profile views. A detached, authoritative voice then announced each look numerically.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than relying on overt deconstruction, the collection emphasized proportion, materiality, and contextual framing. The clothes reflected a controlled approach to menswear. Tailoring was sharp but understated, silhouettes were linear, and surface treatments such as trompe l’oeil, fake rain droplets, subtle patterning, and textural effects added complexity and tactility without excess.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis pair of jeans is a reprise of the iconic white painted denim, featuring a white flocked trompe l’oeil surface that closely resembles the original white paint finish.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size S\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWaist 38cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFront rise 24cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInseam 82cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLeg opening 17cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThighs 25cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKnee 19cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51831805346068,"sku":null,"price":460.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/336B555B-EC8D-4350-9A11-D833D8DBD892.jpg?v=1767361904"},{"product_id":"aw20-moncler-genius-x-jw-andersson-duck-camo-pants","title":"AW20 Moncler Genius x JW Anderson Duck Camo Pants","description":"\u003cp\u003eOne house, different voices.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMoncler Genius is a creative and commercial platform launched in 2018 under the direction of Moncler chairman and CEO Remo Ruffini, designed to celebrate the diversity of the contemporary customer in the digital era, one gravitating towards drop culture and cross disciplinary collaboration. It operates as a flexible system driven by a symposium of creative minds. Rather than relying on a single creative director and two annual collections, Genius invites multiple designers and cultural figures to reinterpret Moncler’s technical outerwear heritage through independent capsule collections released throughout the year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJonathan Anderson’s Autumn Winter 2020 collection for Moncler Genius marked his first contribution to the platform. Presented under the label \"1 Moncler JW Anderson\", the collection translated Anderson’s ongoing interests in abstraction and gender fluidity into Moncler’s expertise in insulation and construction, positioning the partnership as an extension of his own design language rather than a logo driven collab.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnderson rebooted his iconic Riviera hat and ruffled shorts from Spring Summer 2015, adding spikes and embossed dots to inflated puffer jackets, padded scarves, and zip up blousons. The collection heroed a playful and fun spirit, with garments rendered in bold colour blocking and textured surfaces that emphasized volume and tactility. Duck prints on duvets and hunting pants served as nods to the British countryside synonymous with Anderson’s aesthetic.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeen in look 20, these beautiful double layered hunting pants feature sizeable front and back cargo pockets, a cinchable waist, and a duck camo print adorned with ducks and frogs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size 46\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMeasurements:\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWaist 41cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInseam 73cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFront rise 38cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThighs 31cm\u003cbr\u003e\u003c\/span\u003eKnee 26cm\u003cbr\u003e\u003cspan\u003eLeg opening 22cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51853721239828,"sku":null,"price":740.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/BE59783E-71E4-4ABE-B53F-0559097F2999.webp?v=1767965334"},{"product_id":"ss07-yohji-yamamoto-pour-homme-x-hiromu-takahara-pointed-toe-derby","title":"SS07 Yohji Yamamoto Pour Homme X Hiromu Takahara Pointed Toe Derby","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e100 Percent Yohji.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSoundtracked by The Godfather theme, the Pour Homme collection was immediately anchored by a graphic “100 percent Yohji” T-shirt that set the tone for what followed. Spring Summer 2007 was all about Yohji's signatures. Expansive shapes and softly billowing garments presented in a restrained palette dominated by navy, black, and neutral tones. Elongated jackets, wide trousers, and relaxed layering created an ensemble that blurred the line between formal and informal dress.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBeneath the signature volumes, Yamamoto paid careful attention to the relationship between garment and body. Tone-on-tone detailing subtly highlighted silhouettes, and designs featured adjustable side-seam buttoning options that allowed for personalized drape and fit. Yamamoto also employed traditional materials like linen in unconventional ways. One suit was crafted from linen so fine it verged on sheer, subverting expectations about what menswear tailoring could be in warmer seasons.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFirst seen in look 14, these Pointed Toe Derbies were part of a multiple-season collaboration with Hiromu Takahara, the genius shoemaker and creative force behind ROEN.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size 2 fits US8.5-9\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51899863761172,"sku":null,"price":340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/IMG-4248.webp?v=1769174211"},{"product_id":"90s-walter-van-beirendonck-w-lt-pistol-messenger-bag","title":"90s Walter Van Beirendonck W\u0026LT Pistol Messenger Bag","description":"\u003cp\u003eWalter Van Beirendonck’s W\u0026amp;LT, short for Wild \u0026amp; Lethal Trash, was launched in 1993 as a parallel project to his mainline work and functioned as a radical experiment rooted in youth culture and futurism. Backed by German denim manufacturer Mustang, the label was conceived as a way to reach a younger, global audience while allowing Van Beirendonck greater creative freedom outside the conventions of luxury fashion.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe label fused streetwear silhouettes with aggressive colour, sci-fi graphics, inflatable constructions, and cartoon symbols, blurring boundaries between club culture, rave aesthetics, and high fashion. Recurring motifs such as extraterrestrial imagery and the mascot Puk Puk helped construct a self-contained visual universe that reflected both optimism and unease surrounding technology, the future, and the body at the end of the twentieth century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eConceptually, W\u0026amp;LT operated as a site for social commentary, particularly around masculinity and sexuality. Throughout the 1990s, collections explored exaggerated physiques, protective shells, and hypermasculine forms in deliberately confrontational ways. Inflated muscle torsos, fetish-coded materials, and references to military gear disrupted traditional ideas of male strength and authority, often turning them into caricature.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDespite its cultural impact, W\u0026amp;LT came to an end in 1999, concluding with the Spring Summer collection titled Hi Sci Fi. The closure was driven largely by creative tensions between Van Beirendonck and the brand’s commercial backers, who increasingly pushed for a more marketable and conventional direction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Guardian Angel pistol, first seen in AW97 “Avatar”, is molded into the flaps of this oversized messenger bag. The strap is embroidered with Van Beirendonck catchphrases like “Kiss The Future”. (Comes with a free W\u0026amp;LT lightning bolt keychain!)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMeasurements:\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDepth 10cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWidth 37cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength 36cm\u003cbr\u003e\u003c\/span\u003eStrap Length:\u003cbr\u003e145cm – longest\u003cbr\u003e\u003cspan\u003e76cm – shortest\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51941314527508,"sku":null,"price":470.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/40783360-CE2A-4DE6-926B-3D4A41A68008.jpg?v=1770211907"},{"product_id":"ss00-number-nine-extra-heavy-lambretta-3-zip-biker-jacket","title":"SS00 Number Nine “Extra Heavy” Lambretta 3 Zip Biker Jacket","description":"\u003cp\u003e\u003cspan\u003eAs Spring Summer 2000 did not adhere to a traditional runway presentation and was only released as-is in store, little to no verified information is available online. So let’s take a look at Number Nine’s history leading up to Takahiro Miyashita’s first ever runway show, Autumn Winter 2000 “The Redisun,” where this exact jacket would later appear in a leather version as seen in look 26, one season after its original release. This essay is made entirely with thanks to archivepdf’s scan of EYESCREAM’s June special edition “The Truth of Number Nine.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in 1973, Miyashita grew up distant from his parents and often alone, but through his brother and Coppola’s films, he developed a strong love for American fashion. He and his brother debated whether Sean Penn or Matt Dillon was cooler, copying everything they did. “If Sean Penn were to bend his boots, so did we. If he wore an eggplant colored tee shirt we dashed to the supermarket, bought a white tee shirt, and dyed it at my house. My mother wasn’t too happy about this haha.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe cites “Outsider,” “Rumble Fish,” and “Bad Boys” as his introduction to fashion. By 15, Miyashita was already dressing the part, wearing leather jackets, wandering Shibuya, listening to music, and drinking with friends in Sugamo, living almost as a reflection of the characters he admired. When alone, he turned inward, immersing himself in literature and poetry, while continuing to evolve his style from strangers in Shibuya and peers older than him (which remains a key reference point in his design process today).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAfter dropping out of high school, Miyashita began working, eventually lying about his age to join Propeller, a community centric store he later described as the catalyst of his style. It was there that Keizo Shimizu of Nepenthes discovered him. A year later, Miyashita moved to the United States to fulfil a childhood dream, surviving on McDonald’s, ham, and beer while observing how people dressed, only to realise many of the garments he sought already existed back in Japan at Nepenthes. At 23, he left to start Number Nine with a “one season” self-imposed deadline. With early support from Masaru Miyamoto (now CEO of Kooks), he began designing, and his work quickly gained traction through word of mouth and fashion magazines. Three seasons later, the brand presented its first proper runway collection in Tokyo Fashion Week, marking the shift from an underground label to the spotlight with “The Redisun.” Miyashita mentioned how Jun Takahashi paved the way for him with his womenswear presentations.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis jacket from Spring Summer 2000 is now a heavily sought after piece. It features a Lambretta logo lining, ribbed hems and cuffs, epaulettes, and the signature three zips.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength 64cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eShoulder 43cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePTP 47cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSleeve 46cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHem 50cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51985927340308,"sku":null,"price":470.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/835D9A7D-64B3-4D07-A758-676D2496F55E.jpg?v=1771854349"},{"product_id":"90s-jean-paul-gaultier-pipe-frame-2-way-bag","title":"90s Jean Paul Gaultier Pipe Frame 2-way Bag","description":"\u003cp\u003eJean Paul Gaultier’s 1990s marked a decade of unapologetic maximalism (a stark contrast to the unembellished and elegant minimalism that defined the era). Already a rising star in the 1980s, he broke into popular culture with Madonna’s Blond Ambition Tour in 1990 with the iconic corseted cone bra. His culturally disruptive vision propelled him far beyond the runway, establishing him as a designer capable of bridging pop culture and couture.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe same could be said for his bags. Each individual piece serves as an extension of his flamboyant anti-fashion approach. Unlike bags from larger luxury houses, Gaultier’s designs leaned towards a more experimental realm, often resisting mass appeal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLaunched in 1994, replacing the earlier Junior Gaultier line, JPG by Gaultier (or JPG) was a unisex, sportswear-oriented sublabel that followed Gaultier’s idea of fluidity between the sexes at a more palatable entry point. While no official closure was announced, the line gradually disappeared in the early 2010s, alongside his menswear and other ready-to-wear lines, as the house shifted towards a total focus on Haute Couture.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis two-way bag from JPG by Gaultier hails from the 1990s and features a metallic pipe frame, giving it its distinctive shape, and can be carried either by its top handle or worn with its removable shoulder strap.\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":51993610387732,"sku":null,"price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/BEA30585-A1A0-4125-B214-EB2EDCAB3949.jpg?v=1772024732"},{"product_id":"ss14-yohji-yamamoto-pour-homme-layered-wrap-pants","title":"SS14 Yohji Yamamoto Pour Homme Layered Wrap Pants","description":"\u003cp\u003e\u003cspan\u003eFor Spring Summer 2014 Menswear, Yohji Yamamoto observed the clothing of nomadic communities constantly on the move. As a result, their garments were shaped by constant movement, exposure to the elements, and time. Rather than dressing with intention, nomads layer everything they own out of sustenance. This naturally formed silhouettes where garments overlapped and shifted with the body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis study of nomads translates into a poetic collection of fluid garments with riffs on traditional Japanese wardrobe staples, tying in with Yamamoto’s drapey and layered design language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTime and impermanence run through the collection, expressed through makeup, color, and surface treatment. Subtle gradients transition from yellow into deep blues and purples, reminiscent of a passing sunset, while clock motifs introduce a literal measure of time. Garments appear faded and weathered, suggesting how each piece carries traces of its journey.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHair and faces were smeared with white paint, a signifier of ageing and the passage of time. High-sheen fabrics and blistered, painted leather were used to mimic rain-soaked surfaces and styled alongside umbrellas. Together, these details reinforce the idea that the clothes we wear are shaped not just by the person, but by environment and lifestyle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeen in look 16, these layered wrap pants feature a built in rope belt and an elongated waist, allowing the wearer to fold and alter the shape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWaist 56cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength 88cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInseam 38cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFront rise 58cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":52002032615700,"sku":null,"price":380.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/BEE90F55-BA06-44CB-A800-2D3FF98DCC80.png?v=1772201226"},{"product_id":"kapital-nora-x-kaya-boro-western-shirt","title":"Kapital Nora x Kaya Boro Western Shirt","description":"\u003cp\u003eTo truly understand why the entire fashion world’s grail is a boro jacket from Kapital, (well, for most of us), we have to first understand the history of boro.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBoro, which translates to “rags,” emerged during the Edo period as a result of material scarcity in rural Japan. In regions like Tohoku, cotton was both expensive and difficult to obtain, forcing working-class families to extend the life of their garments indefinitely to tide over the harsh winter. Clothing was continuously repaired, patched, and layered using whatever scraps that were available, often across multiple generations. Over time, these garments accumulated a visible record of wear, uneven fading, and dense layers of fabrics, mapping decades of use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA defining feature of these textiles is their deep indigo hue, reminiscent of the oceans surrounding Japan. Rural communities favored indigo due to the abundance of indigo plant and how well it bonded with cotton and linen. Beyond aesthetics, indigo was believed to possess antibacterial qualities, reduce odors, and repel insects, making it especially practical for labourers. It is especially important to note that boro was never an aesthetic choice, but a necessity shaped by poverty and sustenance.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIntegral to boro is sashiko, a traditional stitching technique whose name translates to “little stabs.” Also developed during the Edo period, sashiko was originally used to reinforce worn textiles, particularly in high-stress areas. This extremely labor intensive process starts with a simple running stitch, often in white thread against indigo cloth. Over time, sashiko evolved to include geometric patterns. The relationship between sashiko and boro is therefore fundamental: sashiko is a method, while boro is the cumulative result.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter WW2, Japan saw a mass destruction of antique boro in Japan, making real boro extremely rare. Fast forward to today, boro has been recontextualized into a widely recognized art form and fashion statement, gaining momentum in the early 2010s with Kapital spearheading its resurgence (alongside initiatives and exhibitions by non fashion entities). Most notably, in 2013, Kim Jones approached Kiro Hirata to co-produce Louis Vuitton's Spring Summer 2013 menswear collection, bringing the ancient craft into global spotlight. Since then, boro became closely associated with Kapital, especially within Kapital Kountry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis shirt is the result of hours of manual handwork. Constructed from panels of distressed indigo-dyed boro, it features two flap pockets, a dropped yoke, and snap button closures, and comes with a boro flower brooch. (This overshirt\/jacket predates subsequent Kountry re-editions.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTagged Size 4\u003c\/p\u003e\n\u003cp\u003eMeasurements:\u003cbr\u003eLength 81cm\u003cbr\u003e\u003cspan\u003eShoulder 46cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePtp 51cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSleeve 70cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHem 51cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":52321307558164,"sku":null,"price":1360.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/699B242B-99BC-48D4-9DDE-2257F202F117.jpg?v=1775222579"},{"product_id":"aw04-undercover-but-beautiful-pintstripe-multi-button-deconstructed-pants","title":"AW04 Undercover \"But Beautiful\" Pinstripe Multi Button Deconstructed Pants","description":"\u003cp\u003eJun Takahashi recently coined his Autumn Winter 2004 collection, titled \"But Beautiful… Part Parasitic, Part Stuffed\", as his magnum opus. Today, we take a look back at his But Beautiful series that spans decades.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy 2004, Takahashi's design language was already fully formed, evident in his ability to construct narrative driven collections and spectacular world-building. He attributes this to his mentor, Rei Kawakubo, who recognized his work in the 1990s and helped him transition into Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShifting away from the raw and aggressive tone of his previous seasons, But Beautiful adopts a quieter, more emotionally resolved approach. Built around Takahashi’s imagined image of Patti Smith, models walked down the runway in soft, sculptural garments heavily inspired by Anne-Valérie Dupond’s plush, misshapen figures. Seams are deliberately exposed, and buttons multiply in number and size. Takahashi binds together mismatched fabrics and materials to create wearable, life-sized Dupond-like stuffed forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTakahashi never allowed But Beautiful to remain fixed in 2004. Instead, it evolved into a long-running series that he continues to revisit, beginning with its immediate extension in SS05 titled \"But Beautiful II… Homage to Jan Svankmajer\" and AW06 \"But Beautiful V… Guruguru\", before re-emerging decades later in AW17 \"But Beautiful III… Utopie\".\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Undercover’s 35th anniversary, Takahashi revisits But Beautiful with two more decades of experience, presenting But Beautiful 4 for Autumn Winter 2025. (And we got But Beautiful 4.5 one season later in 2026...)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeen on look 9 of AW04, these deconstructed pinstripe trousers features mismatched button fly, oversized stuffed buttons, polka dot lining, and an embroidered lightning bolt on the left knee, a direct ode to Patti Smith's tattoo.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003eTagged Size S\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003eMeasurements:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eWaist 35cm\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eThighs 23cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKnees 20cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLeg Opening 21cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFront Rise 20cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eInseam 79cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":52361638084884,"sku":null,"price":820.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/IMG-7534.webp?v=1776255727"},{"product_id":"aw05-undercover-arts-and-crafts-deconstructed-wool-sculpted-jacket","title":"AW05 Undercover “Arts and Crafts” Deconstructed Wool Sculpted Jacket","description":"\u003cp\u003e\u003cspan\u003eUndercover’s Autumn Winter 2005 \"Arts and Crafts\" is one of the many important pieces of work from Jun Takahashi’s early Paris years. Presented in the gilded ballroom of the Grand Hotel in Paris, the collection builds on his punk-inspired handwork and conceptual deconstruction while merging classical menswear tropes to challenge elegant and feminine connotations commonly associated with womenswear during that era.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJun distorted familiar menswear staples with felted surfaces, compressed layers, and surreal attachments that altered how garments sat on the body. Vest and jacket were fused directly into tops, scarves emerged organically from lapels, and feathers and frills were layered onto outerwear.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaterials were consistently used against expectation, with corduroy, felt, and formal fabrics manipulated to disrupt balance and proportion. These techniques worked together to give the impression that clothing had been handled and reworked like arts and craft. The show then ended with a barrage of the most spectacular napoleon jackets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeen in Look 40, this deconstructed jacket is constructed entirely from layered, monochrome wool panels and features vented underarms and pronounced back shoulder peaks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTagged Size 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasurements:\u003cbr\u003e\u003c\/span\u003eShoulders 39cm\u003cbr\u003e\u003cspan\u003eChest 45cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHem 52cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSleeve Length 57cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength 71cm\u003c\/span\u003e \u003c\/p\u003e","brand":"Upstairs Garments","offers":[{"title":"Default Title","offer_id":52385034666260,"sku":null,"price":560.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/files\/7F09EE00-2606-45CA-B922-ABC80C2CAEDE.jpg?v=1776863007"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1022\/3124\/collections\/Vegas_Upstairs_x_FORM_5.png?v=1757330022","url":"https:\/\/upstairsgarments.com\/collections\/staff-picks.oembed?page=2","provider":"Upstairs Garments","version":"1.0","type":"link"}